I thought I would elaborate on the Shambhavi mudra to go into deeper
detail of this most powerful mudra. This is a more detailed description
of the process which was discussed in an earlier post.
Mudra
means gesture. Gesture can mean many things, from a physical gesture to
an internal gesture. It is a slight movement that is initiated with the
will which has the capability of propagating outward or inward through
space.
Shambhavi mudra, also call Bhairavi mudra, is a
subtle internal technique involving the eyes which can lead one to the
depths of yogic meditation. It is described in many texts including
Hathapradipika, Gherandha Samhita, Amanaskya Yoga, and Vijnanabhairava
Tantra. These texts however do not give full instructions of this
powerful technique but rather only hint at what it truly is.
The process of mudra follows what is called in Patanjali's yoga sutras parinama.
Parinama is the process of transformation of one state to another. It
involves movement and a change of state. The important point to
understand in parinama is the process of movement itself. Mudra is a
gesture that starts in a very subtle way and then follows a powerful
movement gradient to affect objective perception, transforming the
energy that underlies this objective manifestation to one of pure
clarity. This clarity can be followed internally to the central nadi
Susumna. At this point many "doors" open, through which the movement can
be continued and the expansion of knowledge through one of these
doorways can be facilitated. This is the topic of the 3rd chapter of the
Yoga Sutras.
Shambhavi mudra thus is the excellent
technique which brings about the results of the containment of the mind
discussed in the first chapter of the yoga sutras. It is a technique
which starts beneath the mind and completely brings it under control. It
is in some ways a powerful technique of bio feedback.
One
of the most important things to attend to in the mudric process is
movement and not object or outcome. If one is attached to name and form,
one is still in the objective layer of mind and will have no access to
this mudra. The mudra is purely an instrumental or sensory process that
underlies the mental functioning. The Hathapradipika quoting the Yoga
Vasistha tells us that the mind and prana are like two sides of a single
coin, that if we control one we control the other. In the Hatha
tradition we take a hold of the mind by taking hold of the prana. So
what is this prana? Prana is the felt layer that underlies all sensory
processes. It is immediately felt as the totality of the
underlying sensation body. So following this understanding, we can
access this prana by following any of the knowledge or action senses to
their point of origin. With Shambhavi mudra we use the eyes.
The
technique of Shambhavi mudra begins with the eyes. We keep the eyes
open. The texts say not to blink but in my opinion this matters not in
the slightest because it doesn't matter what we are seeing. The important point is the seeing itself.
This technique in my opinion is also not about directing the gaze.
Gazing is not Shambhavi mudra. Gazing at the midbrow or third eye only
puts the attention on an object and not on the seeing itself. The seeing
itself is what draws us in, not what the eyes are looking at. The
opening of the third eye comes when the ordinary two eyes become clear
of the mental projections. Ordinarily our eyes are completely
contaminated by the "eye of the mind" which distorts what we are seeing
through the pureness of the seeing itself. I have given the example
before of trying to see purely when one is thinking of one's favorite
movie. Try it. Can you do it? Can you see with complete clarity and
focus while the mind thinks of some topic? It can't be done. We are
either seeing through the mind's eye or the 2 eyes of the body. Both
cannot be simultaneously activated. In our everyday functioning, we are
bouncing back and forth between objective and instrumental awareness,
normally so quickly that we are not even aware of it. And our home base
is in the objective level of perception. Continued application of
Shambhavi mudra takes our home base lower into the instrumental realm, a
vast realm completely unlike the objective reality.
So
back to the technique. We look and then see. In seeing there is
distortion. The distortion takes us towards the rajasic or agitated
state or the tamasic or lazy state. The eyes experience this as either
becoming tense or lazy. The eyes have to be constantly adjusted or
focused so that they continuously come into a state of clear focus.
Remember that it is not the focusing on an object but the focusing of
the seeing itself. This is only the initial stage of Shambhavi mudra but
it is a very important one. In fact many things occur as a result of
this focusing/clearing that propagate throughout the body and mind
system.
The next part of the technique involves feeling the seeing. We yoke the feeling layer directly to the seeing layer. To do this we have to focus more on the movement.
We attend to the directional gradient that either takes us from clarity
to unclarity or from unclarity to clarity. Attending to either movement
is extremely important as it is the catching of the movement from
unclarity to clarity which reactivates the mudra process. This is a
powerful form of bio feedback and is the heart essence of the yoga. It
is discussed quite clearly in Yoga Sutra 1.18. The holding of the state
of meditation is brought about by what is called samskara or a
conditioned pattern. The holding of a state is effected by parinama or
transformation which is movement. We don't attend to the state, we
attend to the movement which holds the state. This is an extremely
powerful process, one which I will elaborate on in a later blog.
So
by recognizing the unclarity, the mudra activates and "tunes" the eyes
and system to bring it back to clarity. This clarity/unclarity, when we
yoke it to the feeling layer begins to reveal itself in the totality of
the body. Suddenly it is no longer just limited to the eyes. We feel
Shambhavi mudra as a holistic activity which is felt throughout the
system. Mind is felt suddenly as tension in the body. With the release
of that tension, mind disappears and the clarity of body/mind expands.
This is the process of unmesa/nimesa discussed also in an earlier blog.
If
we follow the feeling of the clarity, it takes us "backward" into the
central column area. If we stay with the movement, it takes us to a very
special realm. At this point we can either just hold steady or "direct"
the movement further into an infinite realm of doors. If we hold the
mudra on a particular doorway, the knowledge of that doorway opens and
reveals itself. This is the process called samadhi which is discussed by
Patanjali. I will discuss this aspect in another blog.
The
nice thing about Shambhavi is that it can be done anywhere and at any
time. It is not limited to seated sessions of practice. It takes our
asana and physical practices to a whole other level.
Hopefully this post has helped to outline the process of mudra,
Shambhavi in particular, in a more comprehensive way. With the use of
this technique, one has no longer to rely on hours of meditation to
still the mind. The mind instantly comes under control along with
the body and one can utilize the focusing of that energy for a number
of different purposes. Thus we have yoga, through the practice of prana
nirodhah, giving rise to citta vrtti nirodhah.
Please check out my youtube video for a video instructional on Shambhavi mudra.
www.youtube.com/watch?v=VEVzrXwgJAE
Interesting post. What you say here about the shambavi mudra in the first two 'stages' is a key component to what is called 'centered riding.' I'm loving how my work with horses is feeding my yoga and vice versa. To bring all of this to my interactions with these incredible, sensitive beings has been way more rewarding than simply doing this for myself. Not that the latter is not the starting point--the work with horses is all about working on myself. Working on the instrumental level has major reverberations in all areas of my life, but horses are my deepest passion, so of course, it's so interesting to me to see correlations. The first component of centered riding is about the eyes, having what they call 'soft eyes,' but really at its most developed its shambavi mudra. The second component is breath, the kind of breathing we did in practice for so long (though I know the inner breath has taken precedence in what you are doing now). The third is concentration, but not the grasping kind, the kind that quiets the mind and sharpens focus. It is very much like what you describe as the 'next stage' of the mudra. The third component is balance. I've been practicing all of this with my filly and the results have been amazing. What I got from Brent at the clinic is all tied to this--he really got into my shit about some of the ways I ride. I loved it! Of course, what you describe here in more detail and on deeper levels is what I'd see as focusing on the mudra itself, not in using in the service of something else. But doing the former certainly makes the latter deepen and sharpen as well.
ReplyDeleteGreat comments...
ReplyDeleteThe doors that I talked about that open with the mudra are basically the different areas of one's life that the mudra can focus on. Obviously for you it has been the horses. The mudra can apply to really any area of one's focus once it is established.
Thanks for sharing!
revealing post, thanks!
ReplyDeleteYou are welcome, glad it is of use.
ReplyDelete1.pl.write on whether shambhavi mudra leads to a awakening of the Ajna chakra,on whether trataka combined with shambhavi leads to quicker opening of the ajna chakra ?
ReplyDelete2. is it correct to awaken the ajna chakra before you awaken the muladhara chakra in your kundalini awakening progress ?
Answers given in later blog on Questions about Shambhavi Mudra. Thanks for your insightful questions.
ReplyDelete